Each year on my birthday, I ask Yi for guidance for the coming year. Then over the course of the year I revisit the reading, finding guidance and gleaning understanding as I go. At least, such is the theory. Last year’s reading, cast on 7th December 2015, was Hexagram 55,… Read more »Meeting the Yi lord
The fourth kind of Yijing story I mentioned when I first called it a ‘Book of Stories’ was the huge narrative arcs of the Sequence – ‘you are here’ on the grand scale. Which is an easy bullet-point to write, but not so easy to expand on. Also, I’m no longer… Read more »Book of (very big) stories
I imagine anyone who’s lived with Yi for a while has also got used to the idea that the world around them gives them signs, and often these signs resonate strongly with readings. I had a ‘big’ Hexagram 10 reading a few years ago, and saw tigers everywhere. (Pictures of… Read more »What is resonance?
Why look for the stories behind the hexagrams? To start with something uncontentious: the people who wrote the Yi had wisdom and intelligence (as well as mind-boggling genius), and were well-informed, and had good reasons for their choices. One of the things they appear to have been well-informed about is… Read more »Myth and legend in hexagrams
If you’ve been working with Yi for a while, you’re probably familiar with the idea of looking at the hexagram each individual moving line would change to on its own, to give you a better context to understand its meaning. You might have heard them referred to as zhi gua,… Read more »Two-line changes
Someone, some day, really is going to have to write a huge Yi book that not only describes individual moving lines with their zhi gua in mind – for example, writing about 27.6 with 24 in mind – but also describes groups of moving lines with their zhi gua in mind.… Read more »Turning points
In the Festival of Change, Claire Hayes will be helping with the integrating phase of a reading. You know… the moment when you understand what it’s saying to you, and the only minor detail left to deal with is actually changing in response. Occasionally this is easy – as simple… Read more »Introducing Claire Hayes
