When you’re looking at a hexagram through the lens of its trigrams, I think it’s important to see how they work together, as a trigram picture rather than a dry list of attributes. However, it’s still interesting to single out a trigram and a position (inside or outside), to compare… Read more »Mountain above
(This post’s one of a series about the hidden gems of the Yijing. They may quite often describe things I’ve mentioned before, but I think they bear repeating. The idea is to point to especially lovely or ingenious or playful ways that the Yi creates meaning and speaks to us… Read more »An interruption
I’ve been browsing with growing fascination through the Takashima Ekidan. Published in 1893 in Tokyo, this is an English translation by Shigetake Sugiura of an original Yijing translation by Kaemon Takashima, a successful serial entrepreneur and respected diviner. (‘Eki’ is the Japanese name for the Yi, and I believe ‘dan’… Read more »Yi in 19th Century Japan
Hexagram 4 has an exceptionally clear, direct Oracle: ‘Not knowing, creating success. I do not seek the young ignoramus, the young ignoramus seeks me. The first consultation speaks clearly. The second and third pollute the waters, Polluted, and hence not speaking. Constancy bears fruit.’ It’s often the one that gives… Read more »Not knowing about dodder
By and large, we know what sort of thing we expect Yi to say (though not, heaven knows, what it will say): ‘Here’s what you’re doing’ or ‘here’s what would happen’ or ‘here’s how to cope with that’ – something along those lines, describing or advising. Only every now and then… Read more »When Yi says ‘me’
A thought on Hexagram 4. We think of Not Knowing as a default state, a starting position: children don’t know at first, so they learn; we start off not knowing, so then we consult the oracle. (Though preferably not for a second and third time…) In today’s news, the BBC announces the… Read more »A spring of doubt
The fourth kind of Yijing story I mentioned when I first called it a ‘Book of Stories’ was the huge narrative arcs of the Sequence – ‘you are here’ on the grand scale. Which is an easy bullet-point to write, but not so easy to expand on. Also, I’m no longer… Read more »Book of (very big) stories
