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Divination tips

‘DIY’ tips for I Ching divination

medicinal herbs

Medical readings

It’s only natural that we should turn to the Yijing with medical questions: we’re vulnerable, uncertain and out of our depth, facing the unknown, so of course we want to consult the oracle. Or if we encounter someone else dealing with a medical crisis who asks for a reading, of… Read more »Medical readings

Levels of questioning?

Something I just came across… Alan Seale, in Create a World that Works ( a book I haven’t read, and no doubt should) described four levels of engagement with experience – from the most easily accessible to the most creative: Drama – the blow-by-blow, he-said-she-said reliving of events, in a… Read more »Levels of questioning?

geese in flight

Reading without an oracle

Here’s an interesting experiment you can play with: a reading without an oracle. That means setting out to receive guidance from the world without using anything intended for divination: no cards, runes, coins, stalks, charts or anything of the kind. Instead, you might listen to the first few words you… Read more »Reading without an oracle

ancient wall at Machu Picchu

Foundations: trusting the oracle

When I teach the Yijing Foundations Class – which I’ll be doing again in September – I concentrate on the few really necessary basics for good readings: ways to relate to all the imagery (words and trigrams) understanding the structure of a reading (primary, relating, lines positions)and also knowing what… Read more »Foundations: trusting the oracle

two pairs of woolly-socked feet warming at the fire

An old friend

I’ve been writing a lot lately about seeing readings with fresh eyes, engaging with the imagery directly, as if for the first time. Here’s a post about the other side of that coin – about the joy of being familiar with Yi, so that readings are like chatting with an… Read more »An old friend

roe deer fawn with ears pricked

For the first time

I was lucky enough to play in a good youth orchestra with a conductor who had plenty to teach us. One of many things he said that stuck with me was that, when playing something familiar, you should imagine someone in the audience who’s hearing this music for the first… Read more »For the first time