Hilary Barrett, I Ching

Archive for the 'Interpreting hexagrams' Category

First instances

Friday, May 18th, 2012

The lines of the first two hexagrams can be regarded as keys to understanding all the lines – all yang lines at the beginning being a little like the submerged dragon, all yin lines at the beginning being somehow akin to treading on hoarfrost. These lines are formative, models for what follows. I think the [...]

Hexagram 40 and forgiveness

Saturday, April 7th, 2012

Apologies if you had higher expectations from that portentous title, but this is just a quick note – the kind of meeting of patterns of ideas that I enjoy. Here’s an article from Bri Saussy about sin. Now I’ve learned that the original Greek, hamartia, means missing the mark, I can’t help thinking of Hexagram [...]

Hexagram 19 and ancestors

Monday, February 27th, 2012

I’ve just had some experiences with hexagram 19 I’d like to share. To give you a bit of context, the long version of the story is in a thread in Reading Circle, but the short version is that we’ve just been through a few wholly nightmarish days with my mother-in-law admitted to hospital. (She’s home [...]

The willow tree of hexagram 28

Tuesday, February 7th, 2012

Half a thought that came to me when meditating (along with ‘I wonder how long I’ve been sitting for?’ and ‘must buy broccoli’ and all the rest, which are not so much blog post material…) I’ve embarked on Clare Josa’s excellent 28 day meditation challenge. The guided meditation she recorded for the first week began [...]

Gifts, wealth, and hexagram 14

Wednesday, December 21st, 2011

As I’ve mentioned before, I first got to know Hexagram 14, Great Possession, through volunteering. When I was just getting started with Yi, I asked about volunteering in general and about various individual opportunities, and received 14 again and again in the answers. What I came to love about volunteering was how great things arose [...]

Hexagram 29: Repeating Chasms

Saturday, December 10th, 2011

“What an abyss of uncertainty whenever the mind feels that some part of it has strayed beyond its own borders; when it, the seeker, is at once the dark region through which it must go seeking, where all its equipment will avail it nothing. Seek? More than that: create. It is face to face with [...]

The Lorelei

Tuesday, November 29th, 2011

I’ve been listening to Clarissa Pinkola Estés talking about creativity and telling stories (always a good idea). She talked about that time when an artist becomes utterly obsessed by his (or her) art: the work is so perfect, so beautiful, so right, that nothing else matters. The artist forgets all about food, sleep, bills, family [...]